DO I REALLY NEED AN EDITOR? (Part 2)

GUEST BLOGGER AND EDITOR-LYNN SURUMA returns to explain the different roles of different editors.

So, you know you need an editor but what kind of editor do you need? After reading an excerpt of your manuscript or, sometimes, the entire manuscript, an editor will prescribe the process necessary. That prescription will be based on how close your manuscript is to a finished product. If you have a manuscript you want to submit to a small publishing company or to a potential agent (a necessary step if you’re going to approach a major publishing company), look for an editor who wears more than one hat, someone who does content or substantive editing and copy editing.

What is Content or Substantive Editing?

Fiction or nonfiction, a manuscript must be organized in a way that makes sense to the reader and tells the story you want to tell or delivers the information you want the reader to get. You know what you want to say, you know what you expect the reader to get from your book but, unless it is organized well, your readers can get lost. If they do, not only will they lose interest, but you will lose an opportunity for future readers.

A content editor will flag rough patches during a cursory read of your manuscript and will suggest a reorganization that will make sense to the reader and help your content emerge to its best advantage. This process may require shifting paragraphs around, deleting distracting text and/or writing additional text. Organization can get muddled, and narrative threads can get tangled if not lost altogether, when you’ve written several drafts. Among other potential landmines:

  • Does your narrative proceed logically?
  • Are your fictional characters developed enough to seem real and are distinct enough to the reader to tell one from the other?
  • If you are writing a sequel to an earlier book, did a character you killed off in Book 1 show up again in Book 2?

Editing can get pricey. If you are concerned about cost (and who isn’t!), consider choosing several individuals whom you believe to be your potential audience to read your manuscript before you submit it to an editor. They may not catch everything but, at least, you’ll have an opportunity to address glaring trouble spots before the submission.

What is Copy Editing?

When new writers think of editing, they think of copy editing: spelling, grammar, punctuation, incorrect word usage, consistency, and typos, although the latter is usually considered the purview of proofreading.

  • Do you confuse the meaning of some words, like capital/capitol, peak/peek, eminent/imminent? Are your participles dangling?
  • Did your character ask a question but there is no question mark?
  • Did you capitalize a word on one page but not on some others?
  • You named the main character’s sister named “Deena” at the beginning of your novel, but you changed it in a rewritten later chapter because it sounded too close to the name of another character, “Dinah.” You renamed the sister, “Sara,” but forgot to change the name in the earlier chapters.

Even though the process is not considered “copy editing,” your editor will also make suggestions about changes in style to help you present a clear narrative that flows well and moves forward. This is line editing and addresses issues like redundancy; over-use of a word or phrase; sentences/paragraphs that are too long or are overloaded with difficult vocabulary; and the occurrence of too many clichés.

The editing process at a publishing house is more specialized than what is outlined above but, first, you have to get your foot in the door. The point of all this is for the writer and the manuscript to be presented in the best light to interest an agent and a publisher.


Atlanta-based Lynn W. Suruma, editor and writer, has more than 45 years’ experience editing a wide variety of products, including books, articles newsletters, brochures and pamphlets, theses, proposals and reports. Her published work includes children’s stories, magazine articles, and poetry.  Since 1990, she has worked with Teachable Tech, Inc. as editor and writer of curriculum products for such clients as CNN for CNN Newsroom; The Weather Channel for The Weather Classroom; ABC Inc. for ABC Classroom Connection and ABC NewsConnect; and, for SAMHSA (US Dept. of Health and Human Services), Building Blocks for a Healthy Start.

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DO I REALLY NEED AN EDITOR? (Part 1)

INTRODUCING GUEST BLOGGER AND EDITOR-LYNN SURUMA as she explains why as a writer you need an editor!

You have read and reread your story over and over again. You are certain your piece is perfect ⸺ after all, you’ve practically memorized it word for word! And that’s the problem: You have been “living” with the material for who knows how long and you read what you expect to see, not necessarily what is on the page. Another pair of eyes will be more likely to spot something you missed.

And this is only one reason why another pair of eyes is invaluable.

All writers have their little quirks, those style peculiarities which show up in everything they write. One writer will start off 80% of his sentences in one paragraph exactly the same way. Another will use the same trite phrases over and over. And a third writer, no matter how many times you remind her, still forgets to put her ending quote mark outside the period. Regardless of the type and degree of the error, every writer wants to present the best work possible, not only to interest an agent or a publishing company but, also, to satisfy the reader enough to return to pick up the next book.

You may think you are ready for publication but, surprise, surprise, maybe you aren’t quite ready at all. The question you have to ask yourself is not “Do I need an editor?” but what kind of editor do I need? The answer: it depends on the condition of your manuscript. A prospective editor who requests sample pages to read first will be able to tell you what kind of editing you will need, about how long it may take and how much it will probably cost.

Manuscript editing falls into these two categories, generally: copy editing and content editing, although there are others. See next week’s Blog about the editing process.

Atlanta-based Lynn W. Suruma, editor and writer, has more than 45 years’ experience editing a wide variety of products, including books, articles newsletters, brochures and pamphlets, theses, proposals and reports. Her published work includes children’s stories, magazine articles, and poetry.  Since 1990, she has worked with Teachable Tech, Inc. as editor and writer of curriculum products for such clients as CNN for CNN Newsroom; The Weather Channel for The Weather Classroom; ABC Inc. for ABC Classroom Connection and ABC NewsConnect; and, for SAMHSA (US Dept. of Health and Human Services), Building Blocks for a Healthy Start.

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